Reflective Floor Studio Shoot

There are two types of umbrella lights used in studio photography.

Reflective floor studio shoot.

You can minimize or even eliminate reflections by using a double overhead lighting setup for shooting small metallic products like jewelry pots and pans and cutlery. When purchasing an umbrella the first thing a photographer should determine is whether they want a shoot through umbrella a reflective umbrella or both. It s difficult there s no denying but it s not impossible. The quality of light is going to be similar and the much of the differences will be due to other factors such as distance to the subject room size and reflective surfaces in the room.

I had the best results when i placed the camera as low as possible and as far away as the studio allows. Finally many modern materials such as steel and glass offer great surfaces to shoot reflections from. Reflective floor for green screen shoot. Shoot through and reflective.

White shoot through or white with a black reflective back are both good choices. They are no frills to set up highly portable and easy to use making them a great choice for someone beginning in studio photography equipment. Shoot it over black or dark papers and every image will require post. Reflections are a hard to tame beast but it gets easier to control if you know the rules.

Looks like something transparent placed on the cloth. I have been seeing more studio images where the floor is reflective almost mirror like but with the color of the background and floor. As seen in the examples above these shots make both powerful and effective reflection photography. This light placed very close to a subject since the shaft of the umbrella is pointed in the.

Umbrella lights are perhaps the most popular choice for studio photography lighting. Shining a light source through a shoot through umbrella results in a broader and softer light. Portraits floor prop studio portrait photographers sometimes place plexiglas on the floor for their models or subjects to lay on utilizing that much desired reflective property. I think what you don t want is a situation where the entire floor is reflective and you have a tiny green screen and the dop wants the freedom to do whatever.

Metal is the most challenging surface to shoot because of how highly reflective it is. Just wondering what people are using for the effect. Posted by 5 years ago. Glass and other reflective surfaces.